Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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GHERARDO DI GIOVANNI
Illustration to a Missal sdfg

ID: 06847

GHERARDO DI GIOVANNI Illustration to a Missal sdfg
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GHERARDO DI GIOVANNI Illustration to a Missal sdfg


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GHERARDO DI GIOVANNI

Italian miniaturist, Florentine school (active 1460-1497)  Related Paintings of GHERARDO DI GIOVANNI :. | black quarter circle with red stripes | The Nativity (nn03) | Seenlandschaft bei Mondschein | jacques louis daid | Gilbert a Becket's Troth (mk46) |
Related Artists:
Juan Antonio Ribera Y Fernandez
1779-1860 was a Spanish painter, born at Madrid. He first studied under Francisco Bayeu and enrolled into the Royal Academy of San Fernando, but afterwards went to Paris and become the pupil of Jacques-Louis David. There he painted his Cincinnatus which is now in the Prado Museum. In course of time he went to Rome, and in 1811 was appointed painter to Carlos IV and member of the Academy of St. Luke; and in 1820, honorary member of the Academy of San Fernando. In 1838 he was made professor, and two years afterwards Director of the Prado. He died at Madrid.
Simone Cantarini,Called Il Pesarese
Pesaro 1612-Bologna 1648
Eugenio Gignous
(Milan, 1850 - Stresa (Verbania), 1906) was an Italian painter. The son of a silk merchant from Lyon, Gignous displayed a precocious talent for painting and enrolled at the Brera Academy of Fine Arts in 1864, attending the courses on landscape taught by Luigi Riccardi and then Gaetano Fasanotti. He came into contact with the Milanese Scapigliatura movement when still very young and formed a close friendship with Tranquillo Cremona. He began to focus exclusively on landscape in the 1870s, experimenting with painting en plein air and producing views of the Lombard and Piedmontese countryside that he showed at all the major national exhibitions. The late 1870s saw a more naturalistic approach to landscape painting under the influence of Filippo Carcano, with whom Gignous went to paint on Lake Maggiore in 1879, thus inaugurating a thematic repertoire devoted primarily to views of the Verbano, Mottarone and Val deOssola. Some biographical notes written by the artistes wife Matilde would appear to bear out the hypothesis of a trip to Paris in the company of Carcano in 1878 and attest to friendship with Vincenzo Vela, who was apparently his host on numerous occasions in Ligornetto. A recognised leader of the Lombard school of painting, he lived in Stresa and on the coast of Liguria from 1887 to 1906, his year of his death, with long stays in Venice. The Venice Biennale held a retrospective exhibition of his work in 1907.






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